Quintet - Flute, Oboe, Clarinet, Bassoon & Horn - įollowing many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:Ĭopland Fanfare for the Common Man Item: 02158.

Quartet - Flute, Oboe, Clarinet & Bassoon - or.

Titles with no bracketed numbers are assumed to use 'Standard Instrumentation.' The following is considered to be Standard Instrumentation: Note the '2+1' portion means '2 oboes plus english horn' Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: Whenever this occurs, we will separate the first four digits with commas for clarity. These are linked to their respective principal instruments with either a 'd' if the same player doubles the instrument, or a '+' if an extra player is required. Sometimes there are instruments in the ensemble other than those shown above. This woodwind quartet is for 1 Flute, no Oboe, 1 Clarinet, 1 Bassoon, 1 Horn and Piano. Any additional instruments (Piano in this example) are indicated by 'w/' (meaning 'with') or by using a plus sign.

The first number stands for Flute, the second for Oboe, the third for Clarinet, the fourth for Bassoon, and the fifth (separated from the woodwinds by a dash) is for Horn. The bracketed numbers tell you the precise instrumentation of the ensemble. Rimsky-Korsakov Quintet in Bb Item: 26746 the publisherįollowing many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Through a combination of sight reading and diligently practicing the provided examples, students will walk into their festival auditions thoroughly prepared! 325 pages.

Our complete melodic books contain over 800 examples! Students preparing for solo festival auditions are often most apprehensive about the sight reading.

Additional levels satisfy other states' requirements, which make this series the most comprehensive of its kind.

Levels 1 through 6 are based on New York State's solo festival (NYSSMA) sight reading curriculum. Sight reading should be part of every musician's daily practice. Through progressive levels, students will gain confidence with the rhythms, keys, intervals, dynamics and ranges they will encounter while sight reading.

Blutman, Steven & Michael Festival Sight Reading, Complete Edition - tubaįestival Sight Reading is a book series written by two musical brothers who are professional performers and educators.

Nyssma level 6 sight reading